A new Zazou for Russ Hanchin of Richmond, VA. Torrified Sitka spruce top, birdseye maple back and sides, butternut neck, 660mm scale with Ebano fingerboard and Miller tuners and tailpiece. Russ and I played together the night before on the deck of the Lotus Kitchen in the background, what a pleasure!
Here is Russ’ comment from his Facebook page the day after he picked up:
“I am totally stoked (and honored) to have received my new gypsy guitar made by Maryland luthier, Craig Bumgarner. This ‘petite bouche’ (small mouth) Craig calls his ‘Zazou’ model – styled after the great Henri Selmer guitars of the 1940’s. Craig has such a talent for building resonant, wonderfully-voiced gypsy guitars! Thank you Craig, for your craft, eyes, ears and heart. This is definitely a franchise instrument for me! Excited to let it loose on the next Django Tango gig!”
A new Zazou with Carpathian spruce top from Romania and curly French walnut back and sides. Black walnut neck, Rocklite Ebano fingerboard, Evo-Gold frets. For those who went to Django in June 2016, this was the guitar I brought along as an example of a playable guitar, “in the white”, no finish. This commission is now complete with a high gloss finish and delivered.
The new owner says it better than I:
“I was able to spend some time with the new guitar last night; it’s a very fine guitar! Beautiful woods, workmanship, and finish. Great playability (I couldn’t imagine a more comfortable neck); great volume, and tone (such a nice low end, and wonderful bass to treble balance). Thanks for the wonderful instrument.”
Have been wanting to try a torrefied top and had the opportunity this spring. It seems to have come out as advertised, new wood that is aged by a heating process to perform and look like old wood. The top was noticeably harder with brighter tap tones than I’m used to in new wood. It built up very light, very responsive and very very loud. The highs are excruciatingly. Not a warm tone, but for projection, there is nothing like it. It also has the color of aged spruce, no tinting required. Will certainly be using it again.
Petite bouche, late Selmer style five brace pattern, East Indian rosewood back and sides, walnut neck, Ebano fingerboard, 43×98 nickel silver frets, 670mm scale. Ebano bridge and mustachios. Finished with satin water based urethane for a very thin tough finish. Miller enclosed tuners and tailpiece, aged.
My first left hand build. Turned out good, or at least the left hand players who have played it tell me🙂 Also the first with my own tailpiece. Lutz spruce top, Birdseye maple back and sides, rosewood reinforced mahogany neck, rosewood fingerboard, EVO Gold frets, aged Miller tuners.
A new Corazón commissioned by Tommy Davy of DjangoGuitars.com Tommy supplied old (25 years+) Italian Alpine spruce top wood from the family’s stash of woods for string instruments, vintage tuners, a Busato style tailpiece and Brazilian rosewood for a bridge. He specified the finish characteristics and gold leaf on the rosette key. Fun collaboration!
A new Corazón for Steve Nelson in Monument, Colorado. Birdseye maple back/sides, Lutz spruce top, mahogany neck with rosewood spline. Gorgeous Miller enclosed tuners and tailpiece. More pictures HERE
Michael Joseph Harris bought the first of what was to become my Model Zazou. Michael suggested the model name and it is perfectly fitting. He recently asked that the top be darkened and tuners upgraded to Rainer Müller’s beautiful enclosed tuners.
Here’s Michael testing when he picked up.
A new Corazón, just delivered to a player in Washington State. Have a look at what he says about it in the comments.